In Landscape with Archetypes, David Freud transforms the landscape into a theatre of the unconscious. Figures and forms appear to emerge from the terrain itself — clouds, hills, and trees becoming extensions of human thought and memory. A ghostlike presence rises through the sky, echoing mythic and psychological archetypes that seem to inhabit the land as spirit and story.

Freud’s fluid brushwork and glowing palette of golds, greens, and ultramarine blues evoke a world where nature and psyche are inseparable. The composition flows between the physical and the symbolic: fields and hills fold into one another like thoughts blending into dreams.

Landscape with Archetypes continues Freud’s lifelong pursuit to reveal the interior life of the landscape. Deeply influenced by Jungian ideas of the collective unconscious, Freud’s paintings treat the natural world as a mirror of the human psyche.

Where View from Cidsbury contemplates the landscape as living spirit, Landscape with Archetypes reaches further — suggesting that our inner myths and the land’s ancient forms share the same origin. The work situates Freud within the visionary lineage of English surrealism, resonating with the spiritual landscapes of Graham Sutherland and the poetic symbolism of Paul Nash.

Freud’s surreal landscapes invite prolonged contemplation. Landscape with Archetypes stands as a key painting within his Spirit of the Landscape group — an eloquent fusion of myth, memory, and place. It embodies Freud’s ability to transform the visible world into a space of imagination and symbolic reflection.