In Halo, Clay Sinclair continues his exploration of light, geometry, and the metaphysical presence of colour. A luminous golden ring, edged with radiant crimson, encircles a deep black square — a void so absolute it seems to absorb all surrounding energy. The juxtaposition of form and hue evokes both celestial and spiritual associations, transforming minimalist geometry into a powerful meditation on balance, faith, and perception.

Sinclair’s meticulous use of Musou fabric — the world’s darkest light-absorbing material — creates a striking optical contrast against the reflective resin and gilded tones, drawing the viewer into a dialogue between luminosity and emptiness. This visual and symbolic tension lies at the heart of Sinclair’s recent practice, where the material and metaphysical converge.

Halo belongs to a lineage of works exploring Sinclair’s guiding affirmation, “Love where I am.” Here, he invites the viewer to find peace within the still centre — a quiet radiance amid colour and chaos.

Clay Sinclair’s Halo exemplifies the confident maturity of an artist whose works merge spiritual symbolism with bold contemporary design. His compositions balance Pop Expressionist energy with meditative precision, resonating with collectors who value both aesthetic power and philosophical depth.

With growing recognition through exhibitions at Saatchi Gallery and The Other Art Fair, London, Sinclair’s geometric and reflective works — including Halo, Mandala, and Love Where I Am — have become cornerstones of his evolving practice. These pieces appeal to both seasoned collectors and those seeking art that embodies serenity, modernity, and meaning — an ideal synthesis of spiritual contemplation and striking visual form.