In Mandala, Clay Sinclair explores the intersection of geometry, colour, and consciousness through bold, harmonious form. Concentric circles of radiant yellow, orange, and red radiate against a vivid blue ground, converging around a deep black centre — a symbol of stillness, balance, and infinite depth.

Drawing upon the spiritual and meditative traditions of the mandala while maintaining his distinctive Pop Expressionist clarity, Sinclair transforms spiritual iconography into contemporary visual language. The precise geometry and saturated hues evoke both the serenity of sacred design and the energy of modern abstraction, inviting viewers to contemplate unity, presence, and the cyclical nature of life.

As with much of Sinclair’s recent work, Mandala reflects his ongoing artistic philosophy — “Love where I am” — "Halo" -embodying a meditative stillness within vivid colour and pure form.

Clay Sinclair’s Mandala exemplifies the artist’s ability to bridge spiritual reflection with modern aesthetics, situating him within a growing movement of contemporary artists revisiting sacred geometry and transcendental minimalism. His works, shown internationally and at major London venues such as Saatchi Gallery and The Other Art Fair, continue to attract design-conscious collectors seeking works that balance conceptual depth with striking visual presence.

Sinclair’s geometric series, including Mandala and Love Where I Am, form a cohesive and increasingly sought-after body of work that reflects both personal philosophy and universal resonance — a synthesis of colour, calm, and contemplation with enduring market appeal.